Items where Subject is "19 STUDIES IN CREATIVE ARTS AND WRITING > 1902 Film, Television and Digital Media > 190299 Film, Television and Digital Media not elsewhere classified"
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- 19 STUDIES IN CREATIVE ARTS AND WRITING (853)
- 1902 Film, Television and Digital Media (118)
- 190299 Film, Television and Digital Media not elsewhere classified (33)
- 1902 Film, Television and Digital Media (118)
- 19 STUDIES IN CREATIVE ARTS AND WRITING (853)
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Buttacavoli, Matthew (2016) Book Review of "New Media, Development and Globalization, by Don Slater. Cambridge, UK, Polity Press, 2013. 210 pp. ISBN: 978-0-7456-3833-1. The Information Society, 32 (3). pp. 223-224.
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Campbell, Steven, Salisbury, David, and Hutchison, Clive (2005) Gabriella takes a bath. [Creative Work]
Campbell, Steven J (2004) Opposites Attract, for PLaY+SPaCE System and Seven Dancers. [Creative Work]
Campbell, Steven J (2003) Special studies program report. [Creative Work] (Unpublished)
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Daniel, Ryan, Fleischmann, Katja, Welters, Riccardo, and Millcock, Simon (2015) Regional economic development through creative industries: a research project and partnership between Townsville City Council and James Cook University. In: Presentations from the National Economic Development Conference 2015. pp. 1-52. From: NEDC 2015: National Economic Development Conference 2015, 7-11 September 2015, Moreton Bay, QLD, Australia.
Daniel, Ryan, and Daniel, Leah (2015) Enhancing capacity for success in the creative industries: undergraduate student reflections on the implementation of work-integrated learning strategies. Asia-Pacific Journal of Cooperative Education, 16 (3). pp. 199-209.
Deger, Jennifer (2011) Book review of "Global Indigenous Media: cultures, poetics and politics" by P. Wilson and M. Stewart (eds). Durham, NC, USA, Duke University Press, 2008. ISBN 978-0822343080. Australian Journal of Anthropology, 22 (1). pp. 142-143.
Deger, Jennifer (2009) Review of "Fragments of the Owl's Egg" directed by Kim McKenzie, 38 mins., produced by Warddeken Productions, 2006. Visual Anthropology, 23 (1). pp. 62-64.
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Furduj, Boris (2019) Virtual orchestration: a film composer's creative practice. PhD thesis, James Cook University.
Fraser, Jenny, and Szymanski, Adam (2015) Superhighway across the sky - Aboriginal new media arts in Australia: a remix and email conversation between Adam Szymanski and Jenny Fraser. In: Pearson, Wendy Gay, and Knabe, Susan, (eds.) Reverse Shots: Indigenous Film and Media in an International Context. Wilfred Laurier University Press, Waterloo, ON, Canada, pp. 189-197.
Fleischmann, Katja, and Hutchison, Clive (2010) Creative exchange: implementing a model in tertiary education that embeds multidisciplinary collaboration in the creative arts and beyond. In: Conference Proceedings on CD. pp. 1-9. From: 8th Annual Hawaii International Conference on Arts and Humanities, 13-16 January 2010, Honolulu, HI, USA.
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Gurrumuruwuy, Paul, and Deger, Jennifer (2016) Mobile phone remix: Miyarrka Media. Artlink, 36 (2). pp. 85-87.
Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media Exhibition. [Creative Work]
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Hook, Sandi, and Corbett, Stu (2015) Imagining place: cultural memories of North Queensland [documentary video]. [Creative Work]
Hiddlestone, Janine (2006) Is Halo doom-ed? In: Yeffeth, Glenn, and Thomason, Jennifer, (eds.) Halo Effect: an unauthorized look at the most successful video game of all time. Smart Pop Series . BenBella Books, Dallas, Texas, USA, pp. 97-108.
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Milledge, Russell, Holdsworth, Jason, Youdell, Rebecca, Saunders, Zane, Mills, Nicholas, Meeks, Arone, and Inoui, Tai (2013) Lodestar. [Creative Work]
Milledge, Russell, Youdell, Becki, Campbell, Steven, and Holdsworth, Jason (2013) Nerve engine. [Creative Work]
Milledge, Russell, Youdell, Rebecca, Hassall, Catherine, Campbell, Steven, and Holdsworth, Jason (2013) Terrestrial nerve. [Creative Work]
Milledge, Russell, and Youdell, Rebecca (2013) Spectropica. [Creative Work]
Milledge, Russell, Inoue, Tai, and McHugh, Jennifer (2013) The Cairns Institute. The Cairns Institute, James Cook University.
Milledge, Russell. (2013) Nerve engine [portfolio]. [NTRO Portfolio]
Milledge, Russell (2011) ProppaNOW artists panel seminar 2011 - the black see. [Creative Work]
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Nowell, Wesley Gregg (2011) Imaging the sacred word. PhD thesis, James Cook University.
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Otto, Ton (2013) Ethnographic film as exchange. The Asia Pacific Journal of Anthropology, 14 (2). pp. 195-205.
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Potter, Martin (2015) Island Connect: final report. Report. ChildFund International, Colombo, Sri Lanka. (Unpublished)
Porter, Glenn, Ebeyan, Robert, Crumlish, Charles, and Renshaw, Adrian (2015) A novel method for the photographic recovery of fingermark impressions from ammunition cases using digital imaging. Journal of Forensic Sciences, 60 (2). pp. 418-421.
Potter, Martin (2014) Big stories, small towns: a participatory and web-based documentary and exegesis: www.bigstories.com.au. PhD thesis, Flinders University.
Porter, Glenn (2014) Forensic photography. In: Rennie, John, (ed.) McGraw-Hill Education Yearbook of Science and Technology 2014. McGraw-Hill, New York, NY, USA, pp. 124-129.
Porter, Glenn (2013) Photography and optical enhancement of physical evidence. In: Jamieson, Allan, and Moenssens, Andre A., (eds.) Wiley Encyclopedia of Forensic Science. Wiley-Blackwell, Chichester, UK, pp. 1-20.
Potter, Martin (2012) Book review of "Challenge for Change: activist documentary at the National Film Board of Canada" edited by Thomas Waugh, Michael Brendan Baker, Ezra Winton. Montréal : McGill-Queen's University Press, 2010. ISBN: 978-0-7735-3662-3. Senses of Cinema, 65. pp. 1-9.
Porter, Glenn (2009) Photography: marks, impressions, and documents. In: Jamieson, Allan, and Moenssens, Andre, (eds.) Wiley Encyclopedia of Forensic Science. Wiley-Blackwell, pp. 2036-2056.
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Weaver, Roslyn, Salamonson, Yenna, Koch, Jane, and Porter, Glenn (2012) The CSI effect at university: forensic science students' television viewing and perceptions of ethical issues. Australian Journal of Forensic Sciences, 44 (4). pp. 381-391.
Wong, Caroline (2010) Singaporean Film Industry in Transition: Looking for a Creative Edge. Lambert Academic Publishing, Saarbrucken, Germany.