D

Deger, Jennifer (1996) Book Review: "Bad Aboriginal Art: tradition, media and technological horizons" by E. Michaels. Sydney, Allen and Unwin, 1994. ISBN: 9-781-8-63735-759. Oceania, 66 (4). pp. 332-333.

E

Ebeyan, Robert (2017) Establishing critical conceptual and pragmatic principles for photointerpretation methodologies when applied as forensic evidence. PhD thesis, James Cook University.

F

Fillmer, Carel (2010) The shaping of women's bodies: in pursuit of the fashion silhouette. Masters (Research) thesis, James Cook University.

G

Goodwin, Mitch, Frick, Laurie, Welzel, Christiaan, and Jones, David (2013) Warhol Goes Social: creativity in the tech age. In: Social and Relationships. From: SXSW (South by Southwest) Interactive, 8-16 March 2013, Austin, Texas, USA. (Unpublished)

Goodwin, Mitch, Gillespie, Richard, and Van Houts, Ben (2012) 2012 Screengrab International New Media Arts Award & Exhibition. [Creative Work]

Goodwin, Mitch (2011) My Endless Dystopian Summer Blockbuster. [Creative Work]

Goodwin, Mitch (2011) Primary propoganda. [Creative Work]

Goodwin, Mitch (2011) Scream 2.0. [Creative Work]

Goodwin, Mitch, Gillespie, Richard, Murrell, Elly, and Van Houts, Ben (2011) 2011 Screengrab International New Media Arts Award and Exhibition. [Creative Work]

Goodwin, Mitch (2011) Culture jamming: disrupting the (information) flow. In: Young Artist Development Program 2011 . pp. 1-61. From: Artiz 2011, 28 June - 1 July, Townsville, QLD, Australia.

Goodwin, Mitch (2011) Vonnegut's Firefight Fuzz Box. [Creative Work]

Gillespie, Richard, Goodwin, Mitch, Murrell, Elly, Milledge, Russell, and Van Houts, Ben (2009) 2009 Screengrab International New Media Arts Award and Exhibition. [Creative Work]

M

Murphy, Peter (2013) Seeing double: the deep core of the imagination. In: Kristensen, Tore, Michelsen, Anders, and Wiegang, Frauke, (eds.) Transvisuality: the cultural dimension of visuality. Liverpool University Press, Liverpool, UK, pp. 87-100.

Milledge, Russell (2012) The new Melanesian art of Brian Robinson. In: Mitchell, Beverley, (ed.) Brian Robinson: men and Gods. KickArts Contemporary Arts, Cairns, QLD, pp. 55-81.

Markwick, Laura (2004) Circles of healing around the world: an exploration of the association between spiritual healing and circles in art. PhD thesis, James Cook University.

N

Nowell, Wesley Gregg (2011) Imaging the sacred word. PhD thesis, James Cook University.

Naylor, Stephen (2008) Ailen currents: contemporary printmaking from the Torres Strait. Arts Nexus, 65. p. 29.

Naylor, Stephen (2008) Closing the loop in cultural engagement. In: Chambers, Julie, (ed.) The Art Vault. Julie Chambers, Mildura, VIC, Australia.

O

O'Sullivan, Jill (2009) James Cook art collection. In: MacAuley, Desmond, (ed.) Twelve Degrees of Latitude Regional Gallery and University Art Collections in Queensland. Museum And Gallery Services Queensland Limited , Brisbane, Australia, 50-51.

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Porter, Glenn (2013) Images as evidence. Precedent, 119 (Nov/Dec). pp. 38-42.

Potter, Martin (2012) Participatory Media in Cambodia: an exploration of relational film, documentary and art. Report. Asialink, Melbourne, VIC, Australia.