B

Brown, Gordon James Brown, and McCulloch, Ros (2009) Reconstituting fragments: a dialogue between a contemporary North Queensland landscape artist and some early European etchings. TRACEY. pp. 1-11.

C

Cooper, Victoria Pamela (2012) I have witnessed a strange river: re-placing non-human entities within visual narratives of three Australian freshwater sites. PhD thesis, James Cook University.

D

Dover, Barbara, and Glade-Wright, Robyn (2015) The cry of beauty: ethics and aesthetics in a contemporary art context. The International Journal of Arts Theory and History, 11 (1). pp. 23-32.

de la Fuente, Eduardo (2014) Why aesthetic patterns matter: art and a "qualitative" social theory. Journal for the Theory of Social Behaviour, 44 (2). pp. 168-185.

de la Fuente, Eduardo (2013) Neomodernism: the sociology of a style. In: Proceedings of the Australian Sociological Association Conference. From: TASA 2013: Australian Sociological Association Conference, 25-28 November 2013, Caulfield East, VIC, Australia.

de la Fuente, Eduardo (2010) In defence of theoretical and methodological pluralism in the sociology of art: a critique of Georgina Born's programmatic essay. Cultural Sociology, 4 (2). pp. 217-230.

de la Fuente, Eduardo, and Murphy, Peter (2010) Philosophical and Cultural Theories of Music. Social and Critical Theory, 8 . Brill, Leiden, Netherlands.

de la Fuente, Eduardo (2010) The artwork made me do it: introduction to the new sociology of art. Thesis Eleven, 103 (1). pp. 3-9.

de la Fuente, Eduardo (2008) The art of social forms and the social forms of art: the sociology-aesthetics nexus in Georg Simmel's thought. Sociological Theory, 26 (4). pp. 344-362.

de la Fuente, Eduardo (2008) The artwork made me do it: Alfred Gell and Jeff Alexander on aesthetic agency. In: Abstracts from the Australian Psychological Society Annual Conference. p. 54. From: Annual Conference of the Australian Sociological Association 2008: re-imagining sociology, 2-5 December 2008, University of Melbourne, VIC, Australia.

G

Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media [Website]. [Creative Work]

Gough, Julie, and Naylor, Stephen (2009) Circuit breaking? Indigenous Australian art and critical discourse. In: Anderson, Jaynie, (ed.) Crossing Cultures: conflict, migration and convergence: the proceedings of the 32nd international congress of the history of art. Miegunyah Press, Melbourne, Australia, pp. 820-825.

J

Joyce, Renée Elizabeth (2017) The butterfly pin: the phenomenon of object-based collecting in Australian contemporary artistic practice. PhD thesis, James Cook University.

M

Milledge, Russell James (2017) Rupture and residue: intermedia art in action. PhD thesis, James Cook University.

Murphy, Peter, and de la Fuente, Eduardo (2014) Introduction: aesthetic capitalism. In: Murphy, Peter, and de la Fuente, Eduardo, (eds.) Aesthetic Capitalism. Brill, Boston, MA, USA, pp. 1-9.

Murphy, Peter (2014) The aesthetic spirit of modern capitalism. In: Murphy, Peter, and de la Fuente, Eduardo, (eds.) Aesthetic Capitalism. Social and Critical Theory, 15 . Brill, Boston, MA, USA, pp. 47-62.

Murphy, Peter (2013) Daniel Bell: conservative. Thesis Eleven, 118 (1). pp. 72-82.

Murphy, Peter (2013) Beautiful minds and ugly buildings: object creation, digital production and the research university: reflections on the aesthetic ecology of the mind. In: Peters, Michael A., and Besley, Tina, (eds.) The Creative University. Creative Education, 1 . Sense Publishers, Rotterdam, The Netherlands, pp. 33-47.

Meyer, Angela, and Naylor, Stephen (2013) The paradise problem: painted experience. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 30-40.

Murphy, Peter (2012) The Collective Imagination: the creative spirit of free societies. Ashgate, Farnham, UK.

Murphy, Peter (2012) Winking at the State: social drama and multicultural claustrophobia. In: Besley, Tina, and Peters, Michael A., (eds.) Interculturalism, Education and Dialogue. Global Studies in Education, 13 . Peter Lang, New York, USA, pp. 65-75.

Murphy, Peter, and de la Fuente, Eduardo (2009) Aestheticism: the new spirit of capitalism. In: [Presented at SocioAesthetics]. From: SocioAesthetics: a symposium on aesthetics, culture and social life, 23-25 August 2009, Copenhagen, Denmark.

Murphy, Peter (2004) The city of ideas: Cavafy as a philosopher of history. Modern Greek Studies, 11/12. pp. 75-102.

N

Naylor, Stephen (2010) The ethos of ‘the Queenslander’: a Journey into the art of building in North Queensland. etropic: electronic journal of studies in the tropics, 9. pp. 1-10.

Naylor, Stephen (2010) Australian space from the outside in: Australia’s representation at the Venice Biennale 1954–2005. In: Holloway, Barbara, and Rutherford, Jennifer , (eds.) Halfway Houses: the poetics of Australian spaces. UWA Press, Crawley, WA, Australia, pp. 320-332.

Naylor, Stephen (2007) Australian space from the outside in. In: Proceedings of the ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop. pp. 200-206. From: ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop, 15-17 June 2005, Newcastle, NSW. Australia.

Naylor, Stephen (2006) The role of visual culture and literacy: reconciling the dialectic. Australian Art Education, 29 (2). pp. 70-79.

O

O'Sullivan, Jill (2011) The chorographic vision: an investigation into the historical and contemporary visual literacy of chorography. PhD thesis, James Cook University.

O'Sullivan, Jill (2010) The contemporary visual literacy of mapped place: chorographic directions, links and analogies. In: At the Interface: cutting-edge research: mapping minds (144) pp. 3-11. From: 4th Global Conference: visual literacies - exploring critical issues, 7-9 July 2010, Oxford, UK.

O'Sullivan, Jill (2009) Chorography: reflections on its place in visual literacy and creative arts. In: Proceedings of 3rd Global Conference Visual Literacies. pp. 1-11. From: 3rd Global Conference Visual Literacies , 14-16th July 2009, Mansfield College, Oxford, UK.

T

Tanner, Heather Anne (2018) Migrancy: a journey of yearning and a quest for home in the context of contemporary art. PhD thesis, James Cook University.