Painting's double: Andrew Benjamin's Disclosing Spaces
Murphy, Peter (2011) Painting's double: Andrew Benjamin's Disclosing Spaces. Thesis Eleven, 104 (1). pp. 108-113.
|PDF (Accepted Version) - Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader|
|PDF (Published Version) - Repository staff only - Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader|
View at Publisher Website: http://dx.doi.org/10.1177/07255136113993...
Andrew Benjamin's book Disclosing Spaces (2004) presents a theory of painting. The theory is developed via a meticulous analysis of a series of individual artworks. The pivot of Benjamin's theory of painting is the idea of relationality. The theory is critically reviewed with reference to the works of Edward Hopper, Gerhard Richter and Jacques-Louis David.
|Item Type:||Article (Refereed Research - C1)|
|Keywords:||doubles, painting, relationality, uncanny, undecidability|
|FoR Codes:||22 PHILOSOPHY AND RELIGIOUS STUDIES > 2203 Philosophy > 220301 Aesthetics @ 100%|
|SEO Codes:||95 CULTURAL UNDERSTANDING > 9501 Arts and Leisure > 950104 The Creative Arts (incl. Graphics and Craft) @ 100%|
|Deposited On:||18 Sep 2012 12:09|
|Last Modified:||12 Mar 2013 18:07|
Last 12 Months: 34
Repository Staff Only: item control page